Joffery Ballet Announces New Abbot Academy Director
Ashley Wheater MBE, The Mary B. Galvin Artistic Director of The Joffrey Ballet, and Greg Cameron, President, and CEO, are
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Joffrey Academy of Dance
Joffrey Academy of Dance 14th Annual Winning Works Choreographic Competition
The Joffrey Academy of Dance, Official School of The Joffrey Ballet, is seeking ALAANA (African, Latinx, Asian, Arab, and Native
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Joffrey Academy of Dance to Present New Slate of “Winning Works”
The Joffrey Academy of Dance, School of The Joffrey Ballet, will present four world premieres in the culmination of Joffrey’s national call for ALAANA (African, Latinx, Asian, Arab and Native American) artists to submit applications for their Winning Works Choreographic Competition. This year’s Competition winners—Natasha Adorlee, Christian D’Ariano, Kameron N. Saunders, and Mike Tyus (Recipient of the Zach Lazar Winning Works Fellowship)—each have choreographed an original work created for the Joffrey Academy Trainees and Studio Company to a commissioned score by a chosen composer collaborator. An additional performance has been added to the program this year due to popular demand.
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Joffrey Ballet Announces 2022 Winning Works Choreographers
offrey Academy of Dance has announced the recipients of the 12th annual Winning Works Choreographic Competition: Audrey Ipapo Baran, Joffrey Company Artist Edson Barbosa, Taylor Carrasco, and Derick McKoy. This announcement follows a national call for ALAANA (African, Latinx, Asian, Arab and Native American) artists to submit applications, which began in June. The choreographers’ world premiere works will be showcased by the dancers of the Joffrey Studio Company and the Joffrey Academy Trainee Program in four performances at the Museum of Contemporary Art Chicago from March 18 – 20, 2022.
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Out of the Ashes: A New Role At Joffrey Academy
Queen Elizabeth dubbed 1992 “Annus Horribilis” (horrible year) because of the various tumultuous events that had wreaked havoc within her royal family that year. Annus horribilis might also be an accurate description of the year 2020, when a once-in-a-century global pandemic wrought havoc upon our nation’s economy and social distancing mandates forced the closure of most of the nation’s arts and cultural institutions.
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